Is this the raciest wedding dress ever? Fashion queen Lillian Khallouf ops for racy gown

She’s one of Sydney’s most in-demand designers. 

And Lillian Khallouf certainly made a statement as she tied the knot with her partner Moei Elayoubi at the MONA in Hobart over the weekend. 

The bridal designer turned heads in a plunging figure-hugging corseted gown that flaunted a generous glimpse of her cleavage. 

The stunning dress featured a split up the black, a sweetheart neckline, and a ribbon design at the back that fell into an elegant train.  

Lillian also created an eye-catching black lace undergarment for the tailored gown, which hugged her curves perfectly. 

The Sydney designer finished the ensemble with black gloves and a chucky pearl necklace that gave her look old world elegance.

The eye-catching bride wore her curly blonde hair up and opted for a matte makeup palette for the day.

The couple tied the knot in one of the venue’s stunning rooms, with guests seated on transparent chairs to watch the romantic moment.   

Later the party were seated at a long table next to one of the museum’s exposed mountain walls. 

Lillian and her guests cut some moves on dancefloor with a DJ playing club hits for the party. 

Playing off the fact it was in a gallery, the couple welcomed guests with a cheeky sign that read: ‘F**k art, let’s party.’   

A number of the couple’s friends were there to celebrated including Googlebox hunk Jad Nehmetallah. 

MONA is the largest privately funded museum in the Southern Hemisphere and sits outside the city fringe in Hobart. 

Part of the museum is built underground and into the side of the cliffs around Berriedale peninsula.    

Lillian is one of Australia’s hottest young bridalwear designers with a focus on elegance and craftmanship. 

Speaking to Bed Threads about her career in June last year, Lillian called herself a ‘natural creative’ in the studio. 

‘I’m a natural creative, therefore my designs allow me to express my mood and thoughts,’ she told the publication. 

‘I consciously work around my values and ethics when it comes to the process, how [the garments are] perceived and connect to the wearer.

‘The LK woman is intelligent and sophisticated so it pleases me to deliver her needs.’